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Saturday, October 2, 2010, SoundCrawl: Nashville 2010, Nashville, Tennessee. Premiere of the video Canvas + Triggers: Suite.
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Sunday-Wednesday, September 5-8, 2010, DRHA 2010: Digital Resources for the Humanities and Arts - Sensual Technologies: Collaborative Practices of Interdisciplinarity, Brunel University, London, United Kingdom. Armadillo Dance Project premieres the installation-performance Whitespace.
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Monday, July 12, 2010, 3:30 pm, World Dance Alliance Global Dance Event - In Time Together: Viewing and Reviewing Contemporary Dance Practice, The Helen & Martin Kimmel Center for University Life, New York University Steinhardt School of Culture, Education, and Human Development. Presentation with Kathleya Afanador, Cross-modal perception and dance.
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Wednesday, June 16, 2010, 2 pm, Abundance Dance and Choreography Festival, Värmlands Museum, Karlstad, Sweden. Lecture with Kathleya Afanador, Choreographing with Computer-Interactivity.
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Tuesday-Wednesday, June 15-16, 2010, 12-5 pm, Abundance Dance and Choreography Festival, Värmlands Museum, Karlstad, Sweden. Armadillo Dance Project installs a computer-interactive audio/video dance space, Canvas + Triggers.
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Thursday, June 3, 2010, 7:30 pm, Shadoworks, a London Sinfonietta event curated by the London Sinfonietta Collective, Queen Elizabeth Hall, Southbank Centre, London, United Kingdom. Installation of the the movement-interactive video projections Canvas.
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Thursday, May 6 & Saturday-Sunday, May 8-9, 2010, 8 pm, Locally Grown Dance Festival, Schwartz Center lobby, Cornell University, Ithaca, New York. Installation of the movement-interactive video projections Canvas.
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Friday, February 19, 2010, 7:30 pm, The Icehouse, Phoenix, Arizona. Armadillo Dance Project presents the premiere installation performance of Exchanges made in collaboration with visual artist Adria Pecora, with costumes by Wendy Raisanen.
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Friday, February 5, 2010, 6-8 pm, The Icehouse, Phoenix, Arizona. Music for the opening reception for Adria Pecora's set for Exchanges in the Cathedral Room includes Receptions 1+2.
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Wednesday, December 9, 2009, 3 pm, New York Public Library for the Performing Arts, New York, New York. Jumay Chu choreographed a concert of modern dance in conversation with a library presentation, The Allure of Refinement: Music and Dance of Indonesia, including a collection of solos set to my Seven Simple Percussion Pieces for Apple's Synthesizer.
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Friday, November 13, 2009, Maison de la Culture d'Amiens, Amiens, France. I was invited by ICKamsterdam to give a talk on the relationship between music and dance.
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Tuesday, September 22, 2009, Graduate School Showcase Show 1, Laban Dance Centre, London, United Kingdom. Music and programming for Broken Chase, choreographed by Kathleya Afanador with scenography by Stephanie Canna.
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Sunday, April 26, 2009, 4 pm EDT, Video Works concert, Wired for Sound in conjunction with the Boston Cyberarts Festival, Longy School of Music, Cambridge, MA: Bubbles, the product of my collaboration with video artist Ann Johnston Miller, was selected for performance.
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Sunday, April 26, 2009, 7:30 pm GDT, Restless, the first Cloud Dance Festival of 2009, at Jackson's Lane Theatre, Highgate, London, United Kingdom. The second performance of Red Bites for a Rainy Day, a work by Armadillo Dance Project with choreography and video by Kathleya Afanador, music and interactive computer projections (with a new fading function!) by Allen Fogelsanger, and a new projection surface designed by Stephanie Canna.
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Thursday-Sunday, March 5-8, 2009, Glory and Rue: Street Dances, Schwartz Center, Cornell University, Ithaca, New York. A new dance score accompanies a work directed by choreographer Jumay Chu and her collaborators.
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Friday-Saturday, February 6-7, 2009, 4th Annual Phoenix Experimental Art Festival, Center for the Performing Arts, Paradise Valley Community College, Phoenix, Arizona. Premiere of Red Bites for a Rainy Day, a work by Armadillo Dance Project with film and interactive computer projections, on Friday night at 7:30. Music and programming by yours truly.
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2:00 p.m., Saturday-Sunday, June 14-15, 2008 (rain dates June 21-22), U R HERE, a performance adventure offered by Artichoke Dance Company along 5th Avenue in Park Slope, Brooklyn, New York. One of the many compositions available for listeners will be my Emerging Perspectives. This short soundscape was originally mixed into the accompaniment for the dance Reflections in an Eye of Titanium and was later included in Euclid's Chapel from Matsumushi.
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Friday-Saturday, February 8-9, 2008, Phoenix Experimental Art Festival, Center for the Performing Arts, Paradise Valley Community College, Phoenix, Arizona. A new work, Playing with Liquid Mercury II, created by my collaborative interactive dance duo Armadillo Dance Project, has been selected for presentation on one of the evening concerts.
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July 22-August 4, 2007, The Glenda Brown Choreography Project at The University of Missouri at Kansas City. I'm stepping in at the last minute to serve as the Director of Music for this intensive two-week workshop on making dances.
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Thursday, June 7, 2007, The 37th International Festival of Electroacoustic Music, Bourges, France. My soundscape for the video Bubbles was selected for presentation on the concert OEuvres Ouvertes: Panorama 2006 L'eau at 2:30.
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April, 2007, The Hockaday School, Dallas, Texas. A new interactive work, Playing with Liquid Mercury, made in collaboration with Kathleya Afanador, was premiered at the ISAS Fine Arts Festival, April 13, and presented again Wednesday, April 25, and Friday, April 27, at Hockaday.
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Thursday-Sunday, March 8-11, 2007, Dance Concert '07, Schwartz Center, Cornell University, Ithaca, New York. A new dance soundscape, Residues, accompanied a work by choreographer Jumay Chu and her collaborators, called Planes.
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Thursday, January 25, 2007, Free Play 6: Listening Chamber, Grand Valley State University, Allendale, Michigan. My work Fibonacci's Flowerpot from Matsumushi was selected to be included in the Listening Chamber electro-acoustic concert at Grand Valley State University. Come and go as you please as a wide variety of electro-acoustic music is performed amid a display of recent works by Dennis Nahavetian and Tara Stephensen. Free Admission. Art Gallery, 1121 PAC. Time: 12:00-7:00 PM.
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Friday-Saturday, November 10-11, 2006, Society of Composers, Inc. Region II Conference, Hamilton College, Clinton, New York. My collaboration Bubbles with video artist Ann Johnston Miller was selected for performance, scheduled for the 4 p.m. concert on Friday.
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Thursday-Sunday, November 2-5, 2006, Congress on Research in Dance 38th Annual Conference, Arizona State University, Tempe, Arizona. Presented a paper titled "Parameters of Perception: Vision, Audition, and Twentieth-Century Music and Dance" with Kathleya Afanador.
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Wednesday-Saturday, September 13-16, 2006, Society of Composers, Inc. national conference, San Antonio, Texas. My "Einstein's Closet" from Matsumushi (arranged from the music for Cornell University's Dance Concert 2005) was programmed on Concert X at the Music Department Recital Hall of the University of Texas at San Antonio on September 16 at 3:30 p.m.
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June 2-11, 2006, Festival Synthèse, Bourges, France. The music from Bubbles was presented repeatedly as part of a loop of soundscapes playing continuously during the festival.
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Thursday-Saturday, March 30-April 1, 2006, the National Conference of the Society for Electro-Acoustic Music in the United States, University of Oregon, Eugene, Oregon. "Fibonacci's Flowerpot" from Matsumushi (arranged from the music for Cornell University's Dance Concert 2005) was selected for presentation.
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Thursday-Sunday, March 9-12, 2006, Dance Concert '06, Kiplinger Theatre, Schwartz Center for Performing Arts, Cornell University. Composed Hmmng for the dance Perimeter of a Parameter by choreographer Kathleya Afanador. This music was created from digitally manipulated sound samples of hummingbirds, whales, percussion, prepared piano, and piano. And for choreographer Jacob Slominski composed music created from digitally manipulated sound samples of ocean waves.
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Thursday-Sunday, February 16-19, 2006, American College Dance Festival Association, Boston University. A preview (without the projected graphics) of Perimeter of a Parameter above.
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Saturday-Sunday, November 5-6, 2005, Sound Moves: An International Conference on Music and Dance, Roehampton University, London, United Kingdom. Presented a paper, "On the Edges of Music: Trisha Brown's Set and Reset and Twelve Ton Rose," now published in the conference proceedings, and later revised and expanded.
